ISNÆTTER

SYDHAVN TEATER 2026

ISNÆTTER is a fusion of dance and theatre — a performance about power and desire, based on author Anna Kavan’s cult novel ICE from 1967.

Playwright Amanda Ginman — Reumert Award winner for Mørkt Forår — and acclaimed choreographer Tina Tarpgaard join forces in a performance where dance, text, and sound create an intense and physical portrait of our present.

In a world covered in ice, an unnamed male narrator pursues a mysterious woman — yet she continually escapes him. He shapes his own reality and moves through the world driven by fascination, desire, jealousy, and an overwhelming urge for control. The longer he chases her, the more reality and fantasy begin to merge — and fracture.

ISNÆTTER is nightmare-ish, 1960s road movie, and psychedelic dream logic — a hypnotic journey through obsession, power, and downfall, where the boundary between reality and hallucination dissolves, like everything else. Like a nightmare you cannot wake from.

CREATIVE TEAM

Director and choreographer Tina Tarpgaard / writer and dramaturg Amanda Ginman / co-director Malou Paludan Keiding / performers Nanna Finding Koppel, Mathias Rahbæk, Anastasia Krasnoshchoka & Thomas Bentin / composer Laurits Jongejan / lighting designer Andreas Buhl / scenographic interaction designer Thomas Kaufmanas / technical operator Jakob Folke Ivarsson / costumier Sophie Bellin-hansen / production manager Dorte Burmester Wium / set builder Karl Jes Jessen / seamstress Katrine Engell Winther Og Cynthia Coussieu

REVIEWS

ISNÆTTER turns the audience into paralysed bystanders, unable to intervene even as psychological and physical violence unfolds directly before us. The work leaves me disoriented and deeply unsettled. The performance offers little to hold on to in terms of hope. It is a beautiful yet profoundly dark portrait, in which it perhaps dawns on us just a little too slowly what it is we are actually witnessing.
— Iscene.dk

(...) Words and movement become one in an unsettlingly desensitised world that, unfortunately, lies far too close to reality.
— Casper Koeller, Sceneblog